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Tag Archives: asana

Summer of Core Day 20: Sphinx Roll Up

This move is one of my all-time favorite core exercises because you can go slowly and deliberately and really feel what’s going on. Plus, you get a really nice chest and shoulder opener in the process.

If you’ve never done this one before, make sure to go slowly and methodically for maximum benefit.

Let’s Do It

  • From forearm plank, come onto your belly. Keep your elbows under your shoulders and your forearms extended on the ground, palms flat on the ground.
  • Roll your shoulders back and extend your chest forward into sphinx pose.
  • Gaze straight ahead.
  • Inhale and expand more in your chest, feel your belly button.
  • Slowly exhale, start to drop your gaze toward your belly. As you do, lift your belly off the ground, then your hips and then your thighs until you’re in a kneeling forearm plank.
  • For an extra challenge, tuck your toes under and lift your knees into full forearm plank.
  • Inhale in forearm plank.
  • Exhale, begin to slowly roll down onto your thighs, hips, belly, lifting your gaze and returning to sphinx.
  • Continue through three to five rounds, moving slowly with your breath and feeling the articulation of your spine the whole way up and down.

Here’s Susan Leslie giving a fantastic demonstration of Sphinx Roll Up for us. Susan is a gifted kids yoga and vinyasa yoga instructor. She teaches at Soul Wednesdays at 4:30 and a kids class at Barre Energy on Thursdays at 4 p.m. If you have elementary-aged kids, Susan’s class is a wonderful way to immerse your kids in a playful yoga practice.

I hope you’re having fun with this month of core! I certainly am enjoying it. Please let me know if you have questions, comments, ideas. I love to hear your feedback! Come to Soul at 9 a.m. and/or 4:30 and practice with me!

~ Shoshana

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Summer of Core Day 16: Side Plank T-Flows

I made this one up. Well, I’m sure I picked some of it up somewhere. But I certainly made up the name. It’s not so much side plank as it is a chance to utilize your obliques in a new way.

Here’s Katy for a second day in a row demonstrating the move.

Thanks again Katy for being a wonderful model and dedicated student!

Let’s Do It

  • Begin in kneeling side plank with your right knee down and left arm to the sky.
  • Inhale, lift from your left arm so your right arm lifts off the ground and both arms form a “T”, palms facing down, arms out to the sides, torso stacked over hips.
  • Exhale, float your left hand to your left thigh. Reach your right arm straight up.
  • Inhale, extend toward the sky, stretching from your right knee through the whole right side of your body up to your finger tips.
  • Exhale, float your right arm back to the ground with control, left arm to the sky, returning to side plank.
  • Repeat this flow five to ten times. Switch sides.

Alignment Tune-Up

  • In kneeling side plank, make sure your bottom arm is stacked beneath your shoulders, so there’s a long, straight line running from your bottom hand through your chest and shoulders and up your lifted arm.
  • Bring your bottom knee directly under your bottom hip for optimal stability.
  • Extend your top leg straight out so the foot is in line with your bottom knee. You should feel like your body is in one singular plane.
  • Engage your extended thigh and keep your top hip lifted, core engaged.

Why Flow?

We primarily practice vinyasa yoga, meaning yoga that flows with the breath. It becomes a moving meditation, which can be very effective in clearing the mind and reducing stress from our hectic, daily lives.

“The Western world has become a seated society, which is why vinyasa yoga is so important: its orientation is breath and movement, and research shows that increased movement in a seated society is absolutely essential for health. Vinyasa yoga gets us moving.” ~ Eddie Modestini, renowned yoga instructor and student of BKS Iyengar and Sri K. Pattabhi Jois

I hope that this flow and yesterday’s flow will get you moving today and you’ll find some joy and freedom in the practice.

~ Shoshana

Summer of Core Day 14: Spinal Balance

Today’s pose, spinal balance, is one that takes core strength in the back muscles as well as the front for stability.


Spinal balance, dandayamna bharmasana in Sanskrit, is also known as balancing table in some yoga circles. It’s often called a beginner’s pose, but in my experience, it takes a lot of body awareness and control to execute and can be a challenge to hold.

I love using it as a warm-up, because it helps you get a feel for elongating your body while connecting to your core. In my classes I often incorporate it into a flow to get the breath linked to movement. But today, we are going to break down this pose and get into proper alignment for optimum benefit.

Let’s Do It

  • From hands and knees (use a blanket or a doubled-up mat under your knees if they’re sensitive), bring your belly button in towards your spine to firm your abs and flatten your back.
  • Keep your gaze at the ground and draw your shoulders away from your ears for length in your neck.
  • Extend your left leg behind you, keeping toes on the ground.
  • Press through your heel to strengthen your thigh and feel strong from hip to heel.
  • Inhale, lift your leg to hip height.
  • Extend your right arm forward, turning your palm to face in, your thumb to the sky.
  • Work to keep your hips level and your abs turned on as you breathe.
  • Hold for three to five breaths. Switch sides.

Options

  • Lift your leg only, not your arm if you feel unstable or wobbly. Work on your balance and strength from here.
  • If your wrists bother you, use fists for wrists or come to your forearms.

Fine-Tune the Alignment

In class, I often see students with concave backs, their bellies dipping toward the ground and their leg and arm coming higher than shoulder or hip height. To maximize the benefits of this pose:

  • Try to keep your leg at hip level.
  • Keep your core muscles engaged to support your back and keep it flat.
  • Lift your arm just to shoulder height.
  • Think about reaching out and back, creating length rather than height.
  • Keep your gaze at the ground, your neck long.

It can be helpful to have someone watch you and tell you when you are in proper alignment or to do this in front of a full-length mirror, though you may know my thoughts on mirrors and yoga.

As always, let me know if you have any questions, if anything’s not clear or if you just want to say hi!

Have a great time with this one. Come see me in class today at 9 a.m. and 4:30 p.m.!

~ Shoshana

 

 

Summer of Core Day 6: Boat w/ Toe Grab

Wrapping up Week 1 of the Summer of Core, we are adding on to Boat pose one more time. Today, we add a toe grab, which challenges our balance, flexibility and overall core strength.

Let’s Do It

  • Start in Boat pose.
  • Reach for your toes or feet, and get a secure grip.
  • Find balance on your sitz bones and get steady.
  • Work to straighten your legs as you lift your chest and straighten your back.
  • Pull your thighs toward your ribs as you exhale, keeping a long spine.
  • Have fun with this pose! It’s easy to roll onto your back or tip over. Don’t be afraid to laugh at the goofiness that can ensue.

Options

boat with toe grab option 2

Full boat with a toe grab.

  • If you’re really flexible, you can bend your elbows and reach around your legs for your heels.

 

 

 

 

Boat with toe grab option 3

 

  • If grabbing the toes or feet are creating too much unsteadiness and you are having a hard time keeping balance and maintaining integrity in this pose, hold on to the backs of your thighs. You still get a great core workout, just a little less intense.

 

 

 

Boat with toe grab option 1

 

  • If you’re less flexible in the hamstrings, keeping knees bent or slightly bent is a great option. Make sure to keep your chest lifted and back flat!

 

 

 

Homework

We won’t have a new exercise tomorrow, Sunday the 7th, so your homework is to go through this week’s exercises and do them in sequence. Or, you can just rest. You worked hard this week!

See you on Monday!

~ Shoshana

 

Pose of the Week: Dead Bug/Happy Baby

Ananda Balasana

There are fewer poses that get such a chuckle from high school football players. Dead bug can send them into fits, but at the same time allow gravity to open their hips, inner thighs and release pressure on their backs.

This pose is usually thrown in toward the end of a practice and can be done static or rocking gently from side to side in a variation commonly known as Happy Baby.

Getting into the Pose

Dead BugLying on your back, draw your knees into the chest. Reach for the insides of the feet and separate the knees. The feet will remain flexed.

Draw your knees toward the ground and your feet push toward the sky.

Breathe through this pose, elongating your spine and melting your sacrum into the ground.

Allow your shoulders to sink toward the ground as the chest broadens.

Keep the gaze toward the toes to elongate the neck.

If it feels good to you, rock gently side to side, giving your back a little massage.

Hold this with steady breath for up to one minute.

Benefits for Athletes

Most athletes have tightness in the hips and inner thighs and groin area. This pose relieves that all.

It can also be practiced as a restorative pose, as gravity does most of the work here.

Those with knee issues or injuries should move slowly into this pose,  making sure it feels fine before attempting to hold for a long period of time.

Common Misalignments and Tips for Better Form

  • Lower back lifts up: Take a yoga strap or old men’s tie around each foot, holding on to it with each hand. Keep your tailbone sinking into the ground as you explore your flexibility.
  • Arching in the upper back: Keep your shoulder blades wide and grounded and allow the shoulders to sink down while pulling on the feet.
  • Arching of the neck: Place a towel or folded blanket under the head to avoid strain.

Pose of the Week: Bridge Pose

Bridge PoseBridge Pose

Setu Bandha Sarvangasana
(SET-too BAHN-dah)
setu = dam, dike, or bridge
bandha = lock

Feeling tight in the hips? Maybe the lower back is a little out of whack? Bridge pose can help with that! This pose is great to hold after the body is already warm or it can be used during warmup using a short, slow and flowing movement.

Getting into the Pose

Laying on the back, bend the knees and place the feet firmly on the floor. Arms are alongside the body with palms facing down.

With a deep inhale press the feet and hands into the floor and lift the hips toward the sky. Take a few breaths here working to lift the hips higher and draw the chest upward. The curve in the spine should happen mostly in the middle back (thoracic spine).

Maintain good alignment by keeping your gaze directed toward the knees and making sure the knees stay in line with the ankles.

To deepen the pose, walk the shoulders under the body slightly and clasp the hands together, palms facing inward. Lift higher, and maybe come up onto the toes or lift one leg at a time.

After slowly returning the hips to the ground, take a moment to come back to center and then bring the knees into the chest for a counter stretch.

Benefits for Athletes

  • Stretches hips
  • Stretches neck
  • Stretches chest
  • Releases stress in legs and back
  • Builds core strength
  • Brings focus in on breathing
  • Strengthens legs and glutes
  • Builds energy

Improve your Form

Knees splay out to the sides. Place a block or yoga ball between the knees and squeeze as you elevate the hips. Drawing the thighs inward and keeping the feet solidly and evenly driven into the ground will help give you good alignment in the knees and legs.

Too much pressure on the neck. In this pose, and any poses that have potential to put weight into the neck (cervical spine), pay close attention to your form. Rest your weight in the shoulders rather than on your neck or head and draw the chest upward moving drawing the hips up and forward.

 

 

 

Pose of the Week: Dancer

Grace, agility, freedom. These are common thoughts that arise when we think about a dancer. In this week’s pose, we will take a good look at dancer pose, also known as standing bow, dancing warrior, lord of the dance, or that one pose where you kick your leg back and try as hard as you can to stay balanced on one foot.

NataranjasanaDancer
not-ah-raj-AHS-anna
nata
= actor, dancer, mime
raja = king
asana = pose

Athletes can benefit greatly by incorporating this pose into their yoga sequence, as it helps to open the hips, stretch and strengthen the quadriceps and shoulders. As a balancing pose, it requires stability, focus and core strength to hold. Make sure you have a loose, warm body before getting into dancer, so do a few rounds of Sun Salutations (or jumping jacks and burpees) first.

Getting into the Pose

Standing in Mountain Pose, shift the weight to the left side and draw the right leg up and behind so the heel comes back toward the glutes.

Grab hold of the inside of the right foot with the palm of the right hand and draw the right knee down to line up with the left knee.

Find your center and activate your core strength.

Lift your left arm straight up, so the bicep is next to the left ear and begin to lengthen the spine. Continue to stay rooted through the standing foot.

When you feel steady and want to take this further, begin to kick the right foot into the right hand, extending the leg backward. Try to maintain squareness in the hips by drawing the right hip down as the left hip draws back.

Simultaneously, begin to reach the chest and the left arm up and forward.

Feel as if you are being pulled forward and up, but also back and down.

Breathe deeply in this pose, as you fix your gaze on an immobile object or spot on the floor or wall in front of you.

Hold for at least five full breaths.

Slowly release back to Mountain Pose and switch sides.

Benefits for Athletes

  • Engages core
  • Enhances sense of balance
  • Activates breath and focus
  • Stretches quadriceps
  • Stretches ankles
  • Stretches front of the hips
  • Opens shoulders
  • Opens chest

Common Misalignments & Tips to Keep Good Form

Chest tips toward the ground. Move slowly forward until you feel a good challenge. Your chest should always be lifted toward the front of the room. Don’t let your shoulders dip toward the ground. Keep your arm close to your ear to maintain a good lift in the upper body.

Falling out of the pose. Balancing poses are challenging, but continued practice will help you gradually improve your balance and stamina. Before you begin, find a spot to gaze at either at the floor a few feet ahead of you or on the wall in front of you. Keep your gaze fixed on this point as you move into the pose and then begin to breathe. The harder you focus and the more steady your breath, the easier it will be to stay balanced on one leg. Another handy tool is to really engage the core muscles. This will drive more stability into the pose, and you will be able to hold it longer without less wobble. Always think about rooting down through the standing leg evenly into the foot while lifting toward the sky from the crown of the head.

Lifted leg or knee turns out. It’s hard to see what you look like in this pose without practicing in front of a mirror or having someone watch you, but mirrors can be distracting, and the best way to adjust your alignment is to check in with your body. What does the pose feel like? Does anything feel weird or cockeyed? Be sure to start with both knees lined up. This squares off the hips. You will want to maintain squareness in the hips for correct alignment and maximum benefit. When you kick your foot into your hand and your leg begins to extend, press the leg inward and drive the hip down. You probably won’t be able to extend your leg as far, but you’ll be in good alignment, which is more kind to your body. Always remember that the pictures of poses you see in Yoga Journal or other yoga sites and publications are very advanced practitioners who are also very flexible and strong. With patience and diligence, your body will change. You will get more flexible. You will get stronger. But forcing the body somewhere it’s not ready to go can be dangerous and could cause injury. So always listen to the body!